Thursday, June 20, 2013
Games

What are Drama Games?

Drama games are drawn from a wide range of sources, including traditional games such as Grandma's Footsteps, as well as exercises developed by directors, actors and teachers. They can be used for breaking the ice, physical warm-ups, group dynamics and encouraging creativity.

On the right you will find a list of drama games ordered by popularity, related to such themes as mime and movement, storytelling and improvisation. These are just starting points, so go ahead and invent your own games to add to those which constantly circulate amongst drama teachers and students.

Game of the Week is taken from 101 More Drama Games and Activities available on Amazon.co.uk in paperback or Kindle.101-More-Drama-Games-150

Learn the three key elements of improvisation by acting out a short scene.

Answering the questions “Who?”, “What?” and “Where?” is essential to any improvisation. In an open-ended improvisation the actors need to establish the answers to these questions as the scene is played. In a structured improvisation they are decided in advance.

WHO is in the scene – and what is their relationship to one another?
WHAT are the characters doing?
WHERE is the scene taking place?

The following activity helps to teach these elements. Divide the group into pairs labelled ‘A’ and ‘B’. The aim is to improvise a three-line scene and to establish the ‘Who’, ‘What’ and ‘Where’ as quickly as possible. ‘A’ initiates the scene and speaks first. ‘B’ must work out what situation ‘A’ is setting up and respond verbally in character. Finally ‘A’ ends the scene with a third line. The idea is not to plan the scene in advance, so as soon as ‘A’ has an idea the improvisation can start.

It is essential that the actors accept each other’s ideas by working together to create the scene. Remind them that they can use action, mimed objects and speech to communicate what is going on. Ask some of the pairs to play their scenes back and see if the audience can spot the ‘Who’, ‘What’ and ‘Where’. This will highlight how well the actors are working together and how clearly they are communicating their ideas.

An example scene might go something like this:

A: (MIMES UNROLLING SOMETHING.) Have you seen the mallet anywhere?

B: Ummm, I think it’s in my rucksack. (RUMMAGES AROUND AND PASSES THE MIMED MALLET.)

A: Can you hold up the tent pole? I’ll bang the peg in.

Come back for a new Game next week!

Work in small groups of 4 - 6. The groups are asked to come up with a selection of random sounds - with each member making one vocalised sound. Next, the group decides on a sequence in which these sounds are made and practices it. Each group performs its sound sequence in turn to the whole class. Now the groups are asked to make up a story in which these sounds occur - in the sequence already decided upon. The story can be narrated or acted.

Read more...

The leader or one member of the group acts as conductor, whilst the rest of the group are the 'orchestra'. Using their voices (and body percussion if appropriate!), the group paints a sound picture of a particular theme, for example the seaside, a city, a jungle. The leader controls the shape of the piece by raising her hand to increase the volume or bringing it to touch the floor for silence.

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A movement exercise for the whole group. Move around the room, filling up the space, changing pace, changing direction, being aware of other people but not touching them. Now become aware of your nose. Let your nose lead you around the room. Follow it wherever it goes!

Develop this by focussing on different parts of the body, so that participants begin to discover new ways of moving. Very useful for dance or physical theatre, or simply for discovering movement ideas for characters. Try being led by your stomach, your little toe, your knee, your back and so on.

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By Jonathan Lambert

A good exercise for exploring and extending the vocal range. It will help to eradicate unexpected 'catches' in the throat from occurring when speaking or singing. It's also a very good icebreaker.

Before you begin, hum for a while. Don't clamp your lips together but rather see how lightly you can let them touch. Can you feel them tingle at the point of contact? Smile and see what difference that makes. OK, now let's make a start.

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Teaching Shakespeare to 7-14 year olds

Wednesday 16th October 2013
10:30am - 4:30pm at Toynbee Studios, 28 Commercial Street, London E1

young-shakespeare

A one-day course outlining a highly practical approach to teaching Shakespeare to children and young people aged 7-14. Includes a range of drama games and exercises that will quickly get pupils involved and enable the teacher to explore character, language and staging ideas through fun and accessible methods. Read More >

More Drama Games...

101 More Drama Games and Activities

 

'...bubbles over with imaginative ideas which could be used to good effect by non-specialist as well as seasoned drama teachers. Excellent resource for primary, secondary and other drama teachers.'
- Teaching Drama Magazine, Spring 2013.

101 More Drama Games and Activities by David Farmer is available now in Kindle and paperback from Amazon.com and Amazon.co.uk.

Drama Books by David Farmer

101-shad1

101 Drama Games and Activities is packed with tried and tested ideas for drama lessons, workshops or rehearsals. Sections include improvisation, mime, ice-breakers, group dynamics, rehearsal, storytelling, voice and warm-ups. 

“One of the handiest things to have around.” - Teaching Drama magazine

Published by Lulu (2007) ISBN 978-1-8475-3841-3
Buy now from Amazon.co.uk or Amazon.com

 

101-More-Drama-Games-138

NOW AVAILABLE: The sequel to the best-selling 101 Drama Games and Activities, containing inspirational and engaging games and exercises suitable for children, young people and adults. The activities can be used in drama lessons and workshops as well as during rehearsal and devising periods.

“...bubbles over with imaginative ideas which could be used to good effect by non-specialist as well as seasoned drama teachers.” - Teaching Drama Magazine

Published by Drama Resource (2012) ISBN 978-1-291-02516-3
Buy now from Amazon.co.uk or Amazon.com

 

Learning-Through-Drama-shad1

Learning Through Drama in the Primary Years describes 36 drama strategies in full detail along with over 250 cross-curricular activities and three extended lesson plans.

“A must-have for those serious about the teaching of drama in primary school settings” - Teaching Drama magazine

Published by Drama Resource (2011) ISBN 978-1-4478-7732-5
Buy now from Amazon.co.uk or Amazon.com